Welcome to the Japanese Sword Society of the United States Online Archive

This page is a work in progress. We are currently producing html versions of all of the articles contained in the full catalogue of JSSUS newsletters. The end goal is to have all 63 years of material here for all to use. We will include the article titles and author in each issue link below, for ease of finding keywords (control+f) and search indexing. Please check back regularly for newly added content.
1959 Volume 1 Number 1
Retrospect and Prospect - Page 1
Juyo Token Nado Zufu, Index, translated by John M. Yumoto - Page 5
The Kaido (old Highways) and Kuni (Provinces) by John M. Yumoto - Page 9
Lectures on the Sword: I, by Albert Yamanaka - Page 12
Flaws in Sword Blades (diagram from Joly) - Page 16
1969 Volume 8 Number 1 - SURVEY OF THE HISTORY OF JAPANESE SWORD FITTINGS
[Translated from the German by Helga E. Reap and Alan L. Harvie,
and taken from Shinkichi Hara's Die Meister der japan- ischen Schwertzieraten (Hamburg: Museum für Kunst und Gewerbe in Hamburg, 1931).] - Page 1
1969 Volume 8 Number 1 The Kodogu (Sword Fittings) of Kano Natsuo
THE KODOGU (SWORD-FITTINGS) OF KANO NATSUO by Albert Yamanaka - Page 19
1969 Volume 8 Number 1 Tosogu Diagram - Translated and Redrawn by Alvan L. Harvie
Diagram of the Most Important Schools Whose Influence Determined the Beginning of Styles after 1750- Page 24
1969 Volume 8 Number 1 Yasuchika
Yasuchika - A Lecture by John Yumoto -Page 25
1969 Volume 8 Number 1 Sword Sentiment
Sword Sentiment- Page 42
1969 Volume 8 Number 1 History of Kendo
A BRIEF HISTORY OF KENDO by Benjamin H. Hazard, Jr- Page 45
1970 Volume 8 Number 2
Shinkichi Hara by Otto Kuymmel
Translated by Helga E. Reap and Alan L. Harvie
1970 Volume 8 Number 2
Contributions to the Register of the Masters of Japanese Sword Mountings by Shinkichi Hara
By Edgar Franckel
Translated by Helga E. Reap and Alan L. Harvie
1970 Volume 8 Number 2
A Collection of Artists Seals (Han and Kakihan)
in Microphotographic Reproduction
by Martin Kuznitzky, translated from the German by Alan L. Harvie - Pg 46
1970 Volume 9 Number 1
A Collection of Artists Seals (Han and Kakihan)
in Microphotographic Reproduction
by Martin Kuznitzky, translated from the German by Alan L. Harvie - Pg 7
1970 Volume 9 Number 1
MARKETING PATTERNS PAST PRESENT AND FUTURE
by Randolph B. Caldwell
1970 Volume 9 Number 1 Pg 17
JAPANESE SWORDS IDOLIZED BY JAPANESE WOMEN
by Naohiro Takahashi
1970 Volume 9 Number 1 Pg 19
JAPANESE PATINAS AND METAL COLOURING
by H Wilson
1970 Volume 9 Number 1 Pg 26
JAPANESE METAL WORKING
A lecture Delivered to the Students of the Central School of Arts and Crafts
by Prof. Unno Bisel of the Fine Art College, Tokyo
2016 Volume 48 Number 1
Tsuba Signed Bushu Ju Yasuchika by Robert Hanyes Page 6
Forgotten Moments In History Rare Photos Emerge From Collection Archive By Robert Earhart - Page 38
2016 Volume 48 Number 2 Kantei
Real Life Kantei of swords , part 8: Oei Bizen Swords – What we read and what we see. By W.B. Tanner and F.A. B. Coutinho Page 6
2016 Volume 48 Number 2 Koshirae Restoration
Restoring Armour and Swords – By I. Bottomley, F. A. B. Coutinho, B. Hennick and W. B. Tanner - Contrasting Points of View Part D: Koshirae Page 19
2016 Volume 48 Number 2 Soten Tsuba
Study of a SŌTEN Tsuba By Luca Zanichelli Page 33
2016 Volume 48 Number 3 Kantei
Real Life Kantei of swords , part 9: The History of Two Tanto. By W.B. Tanner and F.A. B. Coutinho Page 6
2016 Volume 48 Number 3 Higo Misumi Menuki
Study of Excellence: Misumi Menuki by David Stiles Page 12
2016 Volume 48 Number 3 GUSOKU CHOCHIN KABUTO
EXPLORING THE TATAMI - GUSOKU CHOCHIN KABUTO
(The folding armor collapsible helmet ) by Robert Earhart Page 17
2016 Volume 48 Number 4 BECAUSE I SAID SO.. by Robert E. Haynes
BECAUSE I SAID SO AND OTHER MENDACIOUS PREDILECTIONS by Robert E. Haynes
2016 Volume 48 Number 4 Kaifu Wakimono
Real-Life kantei-of swords , part 10: A real challenge : kantei Wakimono Swords by W.B. Tanner and F.A.B. Coutinho - Page 34
2016 Volume 48 Number 5 CURATOR or COLLECTOR?
CURATOR or COLLECTOR? A RIPOSTE by James L. McElhinney - Page 6
2018 Volume 50 Number 1
Connoisseur’s Notebook: Chinese Carvers Working In Japan During The Edo Perio, Part One James L. McElhinney - Page 6
Kanesada Tsuba (金定鐔) David Stiles - Page 10
Real Life Kantei Of Swords 15: Is It Japanese? F. A. B. Coutinho And W.b. Tanner - Page 15
Connoisseur’s Notebook: Kiyou Toujin Tsuba James Lancel McElhinney - Page 22
2018 Volume 50 Number 2
Connoisseur’s Notebook: Chinese Carvers Working In Japan During The Edo Period, Part Two James L. McElhinney Page 6
Connoisseur’s Notebook: What’s In A Name? How “Chinese” Swordguards Became “barbaric” James L. McElhinney Page 11
Connoisseur’s Notebook: Sword-guards From Vietnam James L. McElhinney Page 15
2018 Volume 50 Number 3
Connoisseur’s Notebook: Saying Goodbye To Nanban Tsuba James L. McElhinney Page 6
The George Walter Vincent Smith Art Museum Springfield, Ma Mark Ceskavich Page 7
A Story Of The Tosa - Myôchin 土佐 明珍 Mark Ceskavich Page 9
2023 Volume 54 Number 1
Swords that we like: 2) Hida (no) kami Ujifusa by W. Brent Tanner and F. A. B Coutinho
2023 Volume 54 Number 2
Real Life Kantei of swords #18: An intellectual escapade by F. A. B Coutinho